At our music camp in the Hamptons, Long Island and New Jersey, we make sure to understand our roots and where the music comes from, the heroes, innovators, and creative spirit of those sung and unsung. So what makes Fats Domino of New Orleans so important in the growth of rock?
First off, Fats Domino was from New Orleans. Well, we know New Orleans as the birthplace of jazz, and of course blues is a cousin to jazz, living side-by-side. A piano style developed out of jazz and blues and Fats knew it well, Boogie Woogie. This involves a driving left hand pattern in the left hand and the right hand plays syncopated lines on top of usually played over the blues or a song with changes that reflect I, IV, V harmony of the blues. Great musicians of this style include Gene Ammons, Professor Longhair, Meade Lux Lewis, and later rock-n-roll musicians like Jerry Lee Lewis, Little Richard, and Fats Domino. Professor Longhair’s music had something else to it, a distinctly New Orleans rhumba-rhythm infused in the music which was very influential to great musicians like Dr. John and Allen Toussaint.
In the 1950’s Fats was able to infuse his music with a triplet feel and his song “The Fat Man” went to #2 on the R&B charts. The site SPClarke.com explains it well down below:
“The Fat Man” is often referred to as the first Rock and Roll song, although such assertions will always be the subject of great dispute. As far as Fats was concerned, he was merely playing the same sort of music he had been playing in New Orleans for years. Referring to being called the “Father of Rock and Roll,” Domino, himself, later said, “Well I wouldn’t want to say that I started it, but I don’t remember anyone else before me playing that kind of stuff.” Whatever the case, Fats Domino was suddenly a Rhythm and Blues star.
This led the way to rock-n-roll hits like Blueberry Hill.
But we all know everything comes from something else, and when we peel things back we also have to give a shout out to the great musician Little Willie Littlefield. His song of 1949, It’s Midnight, pre-dates Fats Domino and he is credited as someone who helped popularize the triplet feel in the music.
Music just goes its own way, and if you like it becomes a part of you. It’s cool that the B-side of the 1985 Paul McCartney single "Spies Like Us", entitled "My Carnival" was recorded in New Orleans and dedicated to Professor Longhair. And if you listen to the Beatles song Oh! Darlin you hear how it’s rooted in the sound and rhythm of many of these innovative and creative shining stars of early rhythm and blues, boogie woogie, and rock-n-roll.
